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                <text>Ege, Otto F.</text>
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                <text>Fifty original leaves from medieval manuscripts, Western Europe, XII-XVI century. Otto F. Ege.</text>
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                <text>Ege, Otto F.</text>
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                <text>Antiphonal: Antiphonarium</text>
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                <text>Leaf 27. "Antiphonal or responsive singing is said to have been introduced in the second century by St. Ignatius of Antioch" (Ege). "Many of the more than four hundred antiphons which have survived the centuries are elaborate in their musical structure. They were sung in the medieval church by the first cantor and his assistants. Candle grease stains reveal that his small sized antiphonal was doubtless carried in processions in dimly lighted cathedrals. In this example the notation is written on the four-line red staff which was in general use by the end of the XIIth century. The script is the usual form of Italian rotunda with bold Lombardic initial letters."</text>
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                <text>This is a rights statement for the compound object consisting of the medieval manuscript leaf and the information card provided by Otto Ege. The leaf has No Copyright in the United States. The card has No Known Copyright. Determination was attempted and based on Ege's death date and possible publication date. It was concluded that the card is probably not in copyright.</text>
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                <text>Ege, Otto F.</text>
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                <text>Ege, Otto F.</text>
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                <text>Fifty original leaves from medieval manuscripts, Western Europe, XII-XVI century.</text>
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                <text>Aurora: Aurora</text>
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                <text>Leaf 7. This famous paraphrase of the Bible in Latin verse was one of the most popular Latin books of poetry of the late XIIth and XIIIth century" (Ege). "The format of this page, twice as long as it is wide, demonstrates the English custom of folding the skins lengthwise. The practice of setting off by a space the initial letter of each line also helps to give the page an unusual appearance. It is written in a very small script, six lines to an inch, in a hand characteristic of Northern France and England at this period."</text>
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                <text>http://rightsstatements.org/vocab/NKC/1.0/</text>
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                <text>This is a rights statement for the compound object consisting of the medieval manuscript leaf and the information card provided by Otto Ege. The leaf has No Copyright in the United States. The card has No Known Copyright. Determination was attempted and based on Ege's death date and possible publication date. It was concluded that the card is probably not in copyright.</text>
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                <text>Z109 .E4 YSMS Spec 31794000831238</text>
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                <text>13th c.</text>
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                <text>Recto notes: Possible insect damage, inscription in ink top right "Fezi B." (?).</text>
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                <text>This is a rights statement for the compound object consisting of the medieval manuscript leaf and the information card provided by Otto Ege. The leaf has No Copyright in the United States. The card has No Known Copyright. Determination was attempted and based on Ege's death date and possible publication date. It was concluded that the card is probably not in copyright.</text>
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                <text>Book of Hours: Horæ Beatae Mariæ Virginis</text>
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                <text>Leaf 28. "This Book of Hours shows definite characteristics of the manscript art of France and the Netherlands of about 1450 A.D. It was probably one of the many copies prepared for sale at a shrine to which devout pilgrims came to worship or to seek a cure. The spiked letters and the detached ornamental bar are unmistakably Flemish in spirit, while the free ivy sprays are distinctively French. The burnished metal in the decorations shows the use of alloyed gold (oro di meta) as well as silver" (Ege).</text>
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                <text>Leaf 29. "The treatment of the [manuscript's] ivy spray with the single line stem and rather sparse foliage is characteristic of the work of the French monastic scribes about the year 1450. The occasional appearance of the strawberry indicates that the illuminating was done by a Benedictine monk. Fifty years earlier the stem would have been wider and colored, and the foliage rich</text>
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                <text>fifty years later the ivy would be entangled with flowers and acanthus foliage" (Ege).</text>
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                <text>http://rightsstatements.org/vocab/NKC/1.0/</text>
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                <text>This is a rights statement for the compound object consisting of the medieval manuscript leaf and the information card provided by Otto Ege. The leaf has No Copyright in the United States. The card has No Known Copyright. Determination was attempted and based on Ege's death date and possible publication date. It was concluded that the card is probably not in copyright.</text>
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                <text>Z109 .E4 YSMS Spec 31794000831238</text>
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